Alison Grillo can see both sides of the debate around Dave Chappelle’s latest Netflix stand-up special, “Sticks & Stones,” which has been criticized for jokes about LGBTQ people. As a comedian, she thinks Chappelle should be free to joke about anything. But as a trans woman, she said one of his jokes “rankled” her a little bit.
“I wouldn’t say you shouldn’t make jokes about Michael Jackson, or you shouldn’t make jokes about trans people unless you’re trans, or you shouldn’t make jokes about school shootings unless you’ve been in a school shooting. No. I wouldn’t put that level of censorship on anyone,” Grillo told TheWrap.
But she didn’t love a joke in which a character isn’t sure what pronoun to use for trans people: “I guess the most offensive joke I would say, personally, was the joke about the LGBT people in the car, and when he says, ‘Oh, yes, hi, whatever pronoun you’re comfortable with.’ That kind of rankled me a little bit. But otherwise, I didn’t think it was a terribly mean-spirited performance.”
By nature, comedy specials mix truth with jokes that aren’t meant to be taken seriously. But Chappelle has caught criticism from some viewers who think he’s punching down, targeting people who historically haven’t been given a voice in comedy or society at large.
In “Sticks & Stones,” Chappelle goes after many unexpected targets, including the men who’ve accused Michael Jackson of molesting them as children. He also likens LGBTQ people to passengers on a long road trip who don’t always get along.
Also Read: Bradley Cooper, Jon Stewart, Tiffany Haddish to Honor Dave Chappelle at Kennedy Center
Many have taken sides, but TheWrap sought out the opinions of people who can see the special from both a comedic and LGBTQ perspective.
“I’m sure a lot of people will be not happy with it, or have their feelings hurt,” Grillo said. “If you don’t like it, you don’t buy his album or you don’t click on his face. I don’t mean to dismiss his power as an entertainer — I mean, yes, he has a sense of responsibility. But if you look at his whole act, you can say that in many ways, he means well.”
He also talks about an argument he once had with a network standards-and-practices employee that includes him asking, “Why is it that I can say the word n—– with such impunity, but I can’t say the word f—–?”
Chappelle’s point is that there’s a double standard around the slurs. But lesbian comedian Elsa Eli Waithe said that asking the question is “not a good look” for Chappelle.
“For the same reason whites can’t say n-word. You don’t belong to the group. This is mad simple, not clever and low hanging fruit. Not a good look Dave,” Waithe tweeted.
“Sure, everything is fair game,” she elaborated, in a statement to TheWrap. “But he uses his platform to make jokes about rape victims, trans folks, and the LGBTQ community. With all that’s going on in the world, that’s what he chooses to do?”
As opinions swirl around whether Chappelle’s jokes are fair play or if they’ve gone too far, some conservatives have come to Chappelle’s defense, calling him a free-speech champion.
“Of course, free speech, and I support his right ’cause I want the same latitude,” Waithe said. “But when the alt-right thinks you’re doing something right, you’re probably wrong.”
Also Read: Michael Jackson Accusers Criticize Dave Chappelle's Joke About Not Believing Them
Gay comedian Guy Branum, known for “The Mindy Project” and “Awkward,” tweeted succinctly: “Comedians should support each other and one way Dave Chapelle [sic] could support me more is by calling me a f—– less,” he tweeted.
Alex English looks at it a different way. A gay stand-up comedian who has appeared in VICELAND’s “Funny How?” and written for “The Rundown with Robin Thede” on B.E.T., he says that Chappelle could actually be “providing visibility” to the LGBTQ community.
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“In my opinion, people don’t take the time to actually listen to everything thing he says in his jokes,” English told TheWrap. “As a gay person, I’d actually feel left out if he didn’t have any material on us. In my personal opinion, anything and anyone can be made fun of, but only an actually funny person can pull it off. A comedian’s job is to observe, so in way, he’s providing visibility to a group of people whom are ignored constantly, especially in the LGBTQ community (which was the underlying truth in his ‘car’ bit).”
Dewayne Perkins, a gay comedian and actor who has written for “Brooklyn Nine-Nine” and “The Break with Michelle Wolf,” said the conversation should be much bigger than just Chappelle.
“Stand-up as an artistic medium has historically been exclusive in terms of who is targeted in jokes and even gets to participate. Hence the lack of mainstream queer comics, especially queer black comics. But this isn’t new, it didn’t start with Dave Chappelle and won’t end with Dave Chappelle,” Perkins told TheWrap.
“So to make the conversation about him ignores the bigger issue of a simple lack of representation in comedy,” Perkins added. “If more energy was actually spent just giving those marginalized voices a bigger platform, their art could speak for themselves, and in turn be an active counterpoint to comedy that people feel is problematic.”
While Cannes, Berlin, and Venice are all more exotic and glamorous film festivals, the Toronto International Film Festival has become the kingmaker when it comes to the Academy Awards. Since 2008, all but one of the films that have won the festival's People's Choice Award have gone on to become nominated for Best Picture, and multiple films that premiered there have gone on to win the biggest Oscar prize. Here are five of those films from the past decade.
"Slumdog Millionaire" (2008) -- While the Toronto-to-Oscar pipeline dates back to 1999 with "American Beauty," it reached another level with Danny Boyle's crowd-pleaser about a young Indian man whose childhood helps him conquer "Who Wants to Be A Millionaire." While "Slumdog" premiered at Telluride, it was at Toronto where the buzz hit full swing, winning the People's Choice Award before grossing $377 million worldwide and taking home eight Oscars.
Fox Searchlight
"The King's Speech" (2010) -- Toronto is a major reason why the biopic that has become Tom Hooper's signature role to date beat out more critically acclaimed and popular films like "Inception," "Toy Story 3," and "The Social Network." Hitting every point in the proverbial "Oscar Bait" checklist, "The King's Speech" delighted the industry-heavy crowd in Toronto, creating a buzz among Hollywood's Academy voting bloc so strong that TheWrap's Steve Pond called it as a lock to win Best Picture six months out.
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"12 Years A Slave" (2013) -- While a Toronto film can gain buzz for delighting a certain audience's sensibilities, it can do the same by leaving them downright speechless. The careers of Lupita Nyong'o and Chiwetel Ejiofor can be divided into before and after TIFF 2013, as their powerful performances drove home Steve McQueen's message about just how brutal American slavery truly was. Hollywood deemed "12 Years" an important film that must be seen, ensuring its Oscar victory.
Fox Searchlight
"Spotlight" (2015) -- Going into TIFF 2015, the big talk was about seeing newly minted Oscar winner Eddie Redmayne play a trans woman in "The Danish Girl" or Charlie Kaufman going stop-motion with "Anomalisa." But out of nowhere came a quiet but riveting retelling of the Boston Globe's 2002 Catholic Church sexual abuse investigation that won over the festivalgoers. "Spotlight" proved to be bigger than the sum of its parts, becoming the first Best Picture winner in over 60 years to only win one other Oscar (Best Adapted Screenplay).
Global Road
"Green Book" (2018) -- And then there's this year's Best Picture winner, which like "The King's Speech" saw its momentum start with winning the TIFF People's Choice Award. The victory of "Green Book" has been called by some critics the worst Best Picture winner since "Crash," but the Toronto buzz was so strong that nothing could stop it, whether it be other contenders like "Roma" or an interview with the family of Dr. Don Shirley who called the film a "symphony of lies."
Universal
Toronto has become the kingmaker festival for future Best Picture contenders and winners
While Cannes, Berlin, and Venice are all more exotic and glamorous film festivals, the Toronto International Film Festival has become the kingmaker when it comes to the Academy Awards. Since 2008, all but one of the films that have won the festival's People's Choice Award have gone on to become nominated for Best Picture, and multiple films that premiered there have gone on to win the biggest Oscar prize. Here are five of those films from the past decade.